Wednesday, 23 February 2011

Interview with Rachel Spicer



Playing the lead female in one of the most well known love stories as her debut stage performance is a great feat for Rachel Spicer.

Freelance journalist, Jemma Crowston, caught up with the 22-year-old who will be playing Juliet in Pilot Theatre’s contemporary Romeo and Juliet at Curve, Leicester next month.

“I’ve played Lady Capulet before in a college play and I’ve done some scene work and monologues but this is a pretty amazing opportunity to play Juliet in my debut stage performance,” said Rachel.

The Londoner started touring with the other seven cast members in September and will be stopping at Curve in the midlands from Tuesday March 1 until Saturday March 12 before the show closes in Buxton in April.


The award-winning company Pilot Theatre will return to the city after the success of their production of Lord of the Flies in February 2009.

Their contemporary version of the classic love story uses the original text from Shakespeare but condensed to make the play more accessible. The stage props includes stunning visuals and the set, designed by Chloe Lamford (winner of Best Set design at the 2007 TMA awards) will be filled with over 600 bunches of silk flowers to create a 21st century scene for the love story to take place.

“The flowers are a powerful element to the whole show. Flowers are quite symbolic. They can represent death but can also be a token of love,” said Rachel.


This celebrated story of dangerous rivalries and secret loves will be brought to life in a fast-moving tale which will enthuse audiences of all ages with its exuberance, poetry and thrilling action. Pilot’s unique interpretation is perfect for introducing Shakespeare to younger audiences too.

Rachel, who graduated from RADA last July, will be playing Juliet alongside Oliver Wilson plays the role of Romeo, his theatre work includes: To Kill a Mocking Bird at Theatre Clwyd and on tour; All’s Well That Ends Well (National Theatre); THE RSC Poetry Festival (Stratford and London); Much Ado About Nothing (Derby Live) and This Child (Pilot Theatre at Albany Empire and Theatre Royal York).

Rachel said, “The cast are very close after touring together for months. Some audiences have commented on this and say it shines through the performance.

“It’s great working with all these professional actors who work really seriously but we all know how to have some laughs along the way too.”

Rachel embraces the idea of a contemporary version of the play by portraying her character, Juliet, in a thoroughly modern way. She said, “The way I portray Juliet is as a typical young teenager but she also comes across as a bit tom boyish so it’s quite modern.”

Rachel, who has had small parts in TV commercials and small production films before she went to drama school, said the show is set in the 21st century and could be set anywhere. She added, “Although we’re using the original text, we all have different accents so it could be set anywhere. I wear Top Shop clothes and in the fight scenes we use knives rather than swords so it’s very current.”

When asked what her favourite scene is, Rachel said, “I love the balcony scene but also any of the scenes with Juliet and her nurse because the relationship is so special. She’s like her mother, friend and sister and she’s her only ally in the show.”

Unlike most theatre shows, this production will include a continuous cutting edge, specially-commissioned soundtrack by composer Sandy Nuttgens, which is available to download on iTunes. Rachel said, “I don’t notice the music anymore because we’ve been rehearsing with it from the very beginning. The audience will either love it or hate it.”



After the show tour finishes in April, Rachel will be working on an audio monologue production for Pilot but hopes to start auditioning again too. She said, “I’m really excited to see what’s next.”

Rachel took part in drama activities in school and out of school clubs but it wasn’t until she met an inspirational teacher when she was 16-years-old that Rachel knew she wanted to be an actor. She said, “As corny as it sounds they opened my eyes to the magic and humanity of acting and all the possibilities within it. I loved the idea of a living which you can continue learning and growing so I summed up the courage and went to drama school.”

After several parts behind the camera I asked Rachel where her passion lies: TV or stage?
She said, “I’m in love with the craft. There’s a lot of difference between being on stage and working behind a camera on set but they’re both about telling stories and that’s where my passion lies.”

Romeo and Juliet is the last performance that audience members aged 12 – 26 can claim free tickets through the scheme - A Night Less Ordinary. To take advantage of this offer join Curve Young Company by calling 0116 242 3595.

To book tickets visit
http://www.curveonline.co.uk/

Gandhi and Coconuts

Is it better to be sane or happy?




This is the question underlining Kali Theatre Company’s portrayal of Gandhi and Coconuts.
The story, written by Bettina Gracias, opened at Curve, Leicester last night with its touching yet humorous tale of a lonely housewife’s fantasy afternoon tea with Mahatma Gandhi and the Hindu Gods Shiva and Kali.

Asha (Sophiya Haque) and Ajay (Rez Kempton) move to London from India to earn money for their family back home. But Asha’s isolation in their flat and her fear of the new world outside soon sees her mundane routine transform into a fast-moving and at time, farcical, world of colour and light.

The story shows how life can often become a routine and the couple have very traditional values of the husband working and the wife staying at home.

With today’s equality in place I felt sorrow in the pit of my stomach for Asha who had so many expectations put upon her.

Asha is home sick and idealises about the simpler life back home but it’s clear that it is the change she’s struggling to adjust to. When her husband watches the news all she hears about is the stabbings and muggings happening in their neighbourhood and when Asha experiences racism through her living room walls from her neighbour this just adds to her agoraphobia.

When Asha descends into her own fantasy world and Gandhi and the two Gods arrive for tea it’s obvious she’s not going to get rid of the trio easily.

I was in fits of laughter as Gandhi (Gary Pillai), Shiva (Robert Mountford) and Kali (Nimmi Harasgama) drank whisky, danced and fought over what was best for Asha.

The clean white paper like set used as the couple’s home was a great aid to Chris Corner’s lighting which changed colours when Asha’s fantasy friends were in the room.
Asha is happier when in her own world with Gandhi and seems numb when she has to step back into the real world to tend to her husband’s every need.

When Ajay starts to see his wife’s personality change it puts it down to hormones at first but the reality of her state of mind soon sinks in.
Ajay doesn’t understand his wife’s odd-ball behaviour but they both share a sense of overwhelming pressure and boredom through their new life in London.

This show is a must for anyone who loves a bit of insanity and creativity.
To book your tickets visit http://www.curveonline.co.uk/

Runs until Saturday February 26 2011.


Originally written for The Public Reviews.






Tuesday, 15 February 2011

Leicester Comedy Festival @ Curve





The cities 18th annual comedy festival has been in full swing for the last fortnight in various venues including the Curve where I was lucky enough to see three out of the hundreds of shows at this year’s festival.

To kick start my trio of comedy nights, I saw the unbelievable Beating Berlusconi show on Thursday, February 10.


Taking a Liverpool football fans tale and turning it into a comedy drama for stage is exactly what playwright John Graham Davies after hearing a cobbler’s story from the 2005 Liverpool championship final.

Speaking to the cobbler, Mark Radley, in January he told me the show brings out the fan in all of us and he certainly wasn’t wrong.

Living with a fella who’s mad on Liverpool I knew it’d be something he’d love and he came away wanting to put the DVD of the actual game on as soon as we got home!

The show is played out by Paul Duckworth who has an amazing talent to portray over 40 characters in the 90-minute show.

I was completely hooked into the whole drama of one young boy’s life as a footy mad fan that grew up to see his team win the European Championships despite risking his married life for the trip!

If the show returns it’s a must watch for any football fan but I think especially if you’re a red!
My second comedy jewel was the wonderfully quirky Sarah Millican on Friday, February 11.



Her random tales of shopping for baby denims and tales of being a woman were woven with audience participation.

Asking the audience questions is always going to dampen or enhance a show but luckily for Sarah we have some very odd characters in Leicester so this led to some very strange but funny antidotes!

There were similar moments on Saturday, February 12, during Milton Jones’ show when he invited the audience to join in.

Sarah’s jokes were understood by all the females in the audiences but the men were left occasionally on the side lines when it came to the intimate female innuendos.

Sarah’s Chatterbox tour continues and she hopes to be back in Leicester in the Autumn so watch out for dates and tickets!

Saturday’s comedy show with Milton was an odd ball mix of one-liners and a visit from his Grandad in the warm-up!

His other warm-up act was Kettering-born Jamie Acastor whose confident performance was refreshing in such a young comedian.


There was a moment were an unsuspecting audience member who’d just returned from the toilet was invited on stage. The consequence of his small bladder meant he was in for some ridicule!

When Milton came on to do the main act the show seemed quite fragmented because the two have a very different comedy style.

Milton’s zany look and wild eyes just made his show even more comical. And his one-liners were quick paced and often linked to other jokes later in the night which gave the audience a sense of knowing.

Here is a list of Leicester Comedy Festival shows coming up at Curve in the next fortnight:
Mark Steel
Ceri Dupree is Blonde for Danger
Comedy Heaven with Arthur Smith
Gandhi and Coconuts
LOL (Lots of Love)

Sunday, 6 February 2011

Beating Berlusconi



For all those footy mad fans out there, Beating Berlusconi, is not one to be missed according Mark Radley, whose story has become a comedy sensation on stages across the UK.

The Liverpool football supporter says you don’t have to be red to enjoy the show, which will be at Leicester’s Curve theatre this Thursday, February 10, as part of the city’s 18th comedy festival.

After following his team to an international game in Istanbul, Mark never dreamt his tales from the match would lead to an infamous story played out in a monologue to audiences all over the country.

Mark’s story talks about how he ended up sat next to Italian politician, Silvio Berlusconi at the Attaturk Stadium. After the reds equalised, Mark couldn’t suppress his feelings any longer and the pair squared up to each other. After being hauled away by security men, Mark was surprised to find he’d been mistaken for a VIP and ended up in the Liverpool VIP area.

Mark, who works as a cobbler, said, “When I got back to home I was telling my story to anyone that would listen.”

Mark was telling playwright, John Graham Davies, his tale one day when he went to get a key cut.

Mark said, “John wanted to chat about my story some more and he said it’d make a great film or TV show. I said he could use my story and since then I’ve been amazed at how far it’s gone.”

The show is played as a monologue by Paul Duckworth who portrays 40 characters in the 90-minute play.

Mark said, “The show uses my story but there’s also some drama in there which has been added in as extra too.

“It’s a show not to be missed and it brings out the fan in all of us.”

Mark will be coming to see the show at Curve on Thursday night at 7.30pm and invites the audience to come and speak to him in the lobby after the show.

To book your tickets visit www.curveonline.co.uk or call 0116 242 3595

Tuesday, 18 January 2011

Laughter is the antidote

Interview with Paul Kerryson



January always starts with the lull after the busy Christmas season but Leicester’s Curve theatre is offering bucket loads of laughter to see you through the New Year blues.

Paul Kerryson, artistic director for the Leicester Theatre Trust, spoke to Jemma Crowston about what’s coming up this season and how comedy is the antidote to depression.

Last autumn many organisations in the arts and cultural sector received cuts to their funding but Kerryson has remained positive and said that he believes laughter is the key to lifting people’s spirits through these tough times.

He said, “There have been national cuts and local cuts too but you have to keep going and we’ve still had a fantastic programme of shows. I think because people are not spending money on going abroad they’re giving themselves treats like a trip to the theatre.”

The Irish born director said their audience numbers have been strong during 2010 and hoped the trend would continue this year.

Next month will see dozens of comedians gather for the cities 18th annual comedy festival.

Kerryson said, “Last year I admit we were struggling so we took the view to play on the safe side and only had a few shows for the comedy festival but this year we’ve got about ten shows and we’re looking to increase this next year.”

Some of the acts to feature at Curve for Leicester’s Comedy Festival include Jon Richardson, Sarah Millican, Milton Jones and Ceri Dupree. Football obsessed fans must see the hilarious tale of Beating Berlusconi on Thursday, February 10, which depicts one Liverpool football fans experience when he finds himself sat next to Silvio Berlusconi at the Attaturk Stadium.

Adding to the spectacular comedy line-up will be Kerryson’s take on Alan Ayckbourn’s play – Absured Person Singular.

He said, “This is a show about three nightmare Christmas’ which I’m sure we can all relate to. It’s a great piece of comedy to kick start the year.”


The end of 2010 was marked by the great success of the King and I for Curve with lead actress Janie Dee wowing the audience with her performance as Anna.

With the demand for tickets high, Kerryson has released the details of this year’s Christmas special – 42nd Street - and tickets are already selling fast.

He said, “We’ve been very lucky to get the rights to do 42nd Street and we only got them because of the success of previous performances such as King and I.

“It’s a very magical story and one of the most famous around the world so we wanted to give the audience time to buy their tickets especially those who couldn’t get tickets this Christmas to our sell out show.”

The spring programme at Curve includes a return from the touring theatre company, Kneehigh. Following the success of Red Shoes last November the company will return this month with The Umbrellas of Cherbourg.

Audiences can expect romance, heart break and surprise with this exciting new adaptation of the cult French musical film.

As well as rehearing for Absurd Person Singular, Kerryson has been judging the auditions for the theatre’s community production of West Side Story.

Kerryson said, “We had about 150 young people come to the first auditions this week and I was amazed to see so much talent from people that had never been on stage before.”
The show stopping musical will hit the stage in July.

As well as adding to their community portfolio, Curve is pleased to see the continuation of their newly-formed Young Company.

Kerryson said, “Every week we give young people a chance to attach themselves to different elements at Curve not just the acting but marketing and other areas and this will hopefully all come together to form a show in July but it’s still evolving as more young people join.”

Last January Kerryson spoke about the constant comparison being made between the modern glass theatre and Leicester’s old Haymarket Theatre. But now, Curve proudly stands on its own merits.

Kerryson said, “Over the past five months I’ve seen a definite change in audience appreciation for Curve. We’ve had the foyer revamped to make it more comfortable and we’re looking to improve our food offer too. And I’ve not heard us being compared to Haymarket for such a long time which is great.”

He added, “We have the wow factor. Whenever we pull the side of the stage up so people can see outside or look into the backstage area I always see people looking on in amazement even the old Haymarket Theatre fans are impressed.”

Mr Kerryson’s role involves being one step ahead and he is already planning a bumper packed autumn programme which will be released in April.

For tickets and information on all the seasons upcoming shows phone 0116 242 3595 or visit
www.curveonline.co.uk

Monday, 25 October 2010

Friel Festival


Interview with Selina Cartmell

Curve’s first visiting female director, Selina Cartmell, talks exclusively about her upcoming production of Molly Sweeney, for the Friel Festival next month.


Selina is the artistic director of Siren Productions, will be joining Irishman Mick Gordon in producing what will be a unique double dose of Brian Friel’s work in a four week festival of two of his plays.

The profound story of Molly Sweeney – Molly has been blind since infancy, who flourishes in her independence until the arrival of a ‘miracle’ doctor and a misguided new husband whose well meaning interfering threatens her very essence. Cartmell directs this haunting story as we join Molly on her emotional journey from a happy safe place to an overwhelming and ultimately devastating new world.

Never one to take a play at face value, Cartmell will tackle this three actor monologue play in her usual imaginary way.

She said, “I’m always up for a challenge and when Paul Kerryson invited me to come to Leicester to work on something I was delighted to take on Molly Sweeney."
Mick Gordon will be directing the seminal – Translations.

Translations depicts the English military conducting an ordinance survey of Ireland. They are set on translating the place names of long Gaelic tradition. Will mutual understanding eventually transcend language in this dangerous clash of cultures?

The show will mark the 30th anniversary of the story whilst the festival will mark the 50th anniversary of Brian Friel’s work.

Cartmell said, “Friel is one of the most renowned playwrights in Ireland who has produced masterpieces known all over the world. I’d definitely recommend reading the play to anyone.

“It has elements of a Greek tragedy even though it’s not which makes it a fascinating play to watch.”

As well as being the Artistic Director of Siren Production, Cartmell is Artist-In-Residence at the Samuel Beckett Theatre, Dublin. Productions for Siren include Medea, Macbeth and the award winning Titus Andronicus (four Irish Times Theatre Awards including Best Production and Best Director).

She has directed Marina Carr’s The Cordelia Dream for the Royal Shakespeare Company and The Giant Blue Hand by Marina Carr for The Ark Theatre. For the Abbey Theatre she directed Only An Apple by Tom McIntyre, Big Love by Charles Mee and Woman and Scarecrow by Marina Carr. For the Gate Theatre, she has directed Sweeney Todd (Best Opera Production – Irish Times Theatre Awards), Festen and Catastrophe as part of the Beckett Centenary Festival 2006 (Dublin & Barbican Theatre, London).

In 2007 Selina was chosen as a Protégé in the third cycle of the Rolex Mentor and Protégé Arts Initiative, an international philanthropic programme that pairs rising young artists with master artists for a year of mentoring. Selina’s mentor was world-renowned director and designer Julie Taymor.

Next month’s Friel Festival is set to make a Curve a must this winter. For those that love their classic dramas or love the thrill of walking into the unknown then visit these two residential plays in the studio this November.

For more information or tickets visit
www.curveonline.co.uk

Momentum Festival

Preview of upcoming shows plus Interview with local poet Marilyn Ricci

Leicester poet, Marilyn Ricci, will join other budding playwrights this week when the Momentum Festival opens at Curve.


Giving already talented writers a chance to turn their skills at theatre making is a rare opportunity for many of the East Midlands marvels who will be producing shows over the next week.

City-born Marilyn has always secretly loved playwriting and is excited about her production which is tale close to her heart.
She said, “I’m working on a book with the Leicester Somali community which includes stories from their lives and their escape from the war-torn country. I asked some of the women if I could use parts of their stories to write a play and they said yes.”

She added, “The book, which will be out next Spring, is based on the civil war in Somali. I think anyone who has an interest in their culture would find the show fascinating.”

Marilyn admits she has written many plays in the past despite her roots lying in poetry. She said, “This experience has been great for me. I have written plays before but nothing has come of them so to actually work with professionals and see my piece come to life is amazing. I’d love to get the opportunity to do it again.”

The Theatre Writing Partnership and Curve will launch the festival tonight (Tuesday, October 26) with a one-woman show about social networking dilemmas and comedy mishaps – Fakebook by Michelle Vacciana.

Momentum Festival program:

Tuesday, October 26 2010 7pm
Fakebook

Wednesday, October 27 2010 7pm
Palm, Wine and Stout (Segun Lee French)

Thursday, October 28 2010
Unzipped (Talawa’s Writing Group)

Friday, October 29 2010 2pm/7pm – Saturday, October 30 2010 2pm/7pm
Extracts I-IV (Catharine Ashdown/Marilyn Ricci/Sundeep Maan Singh/Alice Nicholas/Louise Singleton.

Tickets cost £5 each or £25 for s festival pass. Visit
www.curveonline.co.uk for more details.